Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy

Document Type : علمی - پژوهشی

Author

faculty member of irib university

Abstract

Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy
Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy
Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy
Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy
Cognitive funds of Representation of Film in the Theary of Formalism and its Proportion with Mental Existence and Concrete Existence in Classc Philosophy

Keywords

References

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  11. Kant, Immanuel, Critique of the Power of Judgment, tr. by Paul Guyer, Eric Matthews, Cambridge University Press, 2000.
  12. Bazin, Andre , What Is Cinema, Vol I. tr. by Hugh Gray, University of California Press, 2005a.
  13. Kracauer, Siegfried, Theory of Film: The Redemption of Physical Reality, Oxford University Press, 1960.
  14. Scruton, Roger, Photography and Representation, in: Arguing about Art: Contemporary Philosophical Debates, ed. by Alex Neill and Aaron Ridley, London: Routledge, 2007.
Shinakht (A Persian Word Means Knowledge)
Volume 12, Issue 1 - Serial Number 1
December 2019
Pages 235-258

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History

  • Receive Date: 19 January 2019
  • Revise Date: 03 January 2022
  • Accept Date: 31 December 2020

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